Rock1987
01U2
Where the Streets Have No Name
The defining dotted-eighth delay tone. A bright single-note arpeggio in 6/8 over a sustained organ pad, where the delayed repeats fill the rhythmic space between picked notes and the player only actually picks every third sixteenth. Chiming, hollowed-out top end with almost no low midrange. Recognizable in the first half-bar before the band drops in — the delay IS the part.