
01—Pedal catalog
Chase Bliss Audio MOOD MkII
Granular micro-looping and stereo time effects in one texture machine for ambient and post-rock boards.
If you make ambient music, this is the pedal. If you don't, it'll change what you make. One of Chase Bliss's most important boxes.
02—On the bench
Two independent channels: a granular micro-looper and a stereo time-effect engine (delay, reverb, modulation). Designed in collaboration with Drolo and Old Blood Noise Endeavors, MOOD MkII is less a delay than an evolving texture machine — you feed it a phrase, it crumbles, stretches, smears, and replays it as a granular ghost while you keep playing on top. The MkII upgrade brought stereo I/O, two voices instead of one, expanded loop modes, and Chase Bliss's bent-volt-style preset system. It's not a delay you reach for to subtly thicken a clean chord — it's a sound-design pedal that rewards players who let it disagree with them. Lives on ambient, post-rock, and modular-curious boards.
- 01granular textures that drift away from the source
- 02stereo voices interact unpredictably
- 03the 'reverse' clutch behaves like another instrument
- 04presets recall full evolving states
- 05best when you let it hijack the song
03—Power
What it takes to run the MOOD MkII.
270mA at 9V
At 270mA it needs a high-current jack, and an isolated one: big digital pedals put noise on a shared ground.
Typical published draw. Check the label on your unit for its voltage and polarity before you plug in.
- Harley Benton PowerPlant ISO-2 Pro →jacks 3-8 · 300mA
- MXR ISO-Brick M238 →jacks 3-4 · 300mA
- Truetone 1 SPOT Pro CS6 →jacks 1-2 · 500mA
04—In the room
Where else this pedal lives.
Hologram Microcosm covers similar granular territory with a more presets-first interface.