Suede·Social
The catalog·2026 · OCT
Strymon NightSky
ReverbSince 2021~$449

01Pedal catalog

Strymon NightSky

Generative ambient reverb: one hall core turned into an instrument by pitch, glide, and a sequencer.

The Suede verdict

Strymon's most adventurous reverb. If BigSky was too tame, this is the answer. Sequencer is the killer feature.

02On the bench

What it does

A 'time-warped reverberator' — Strymon's experimental, modulated, pitch-shifting reverb pedal designed for ambient and post-rock players who found the BigSky too well-behaved. NightSky has a single hall-reverb algorithm at its core, but the entire architecture around it (pitch shifting, gliding, sequenced modulation, intensity envelopes) turns that reverb into a generative instrument. Stereo I/O, MIDI sync, CV ins/outs for modular integration, and an internal sequencer that can advance pitch intervals in time with the music. The pedal that took Strymon's algorithmic dryness and added a soul. Less canonical than BigSky, more unhinged. Built for the people who use a Make Noise Mimeophon next to their pedalboard.

Tone notes
  • 01the pitch shifting is part of the reverb tail, not a separate effect
  • 02internal sequencer turns reverb into a melodic instrument
  • 03CV ins make it modular-compatible
  • 04intensity envelope adds dynamic shape to swells
  • 05freezes hold forever without artifacting

03Power

What it takes to run the NightSky.

Typical draw

300mA at 9V

At 300mA it needs a high-current jack, and an isolated one: big digital pedals put noise on a shared ground.

Typical published draw. Check the label on your unit for its voltage and polarity before you plug in.

04In the room

Where else this pedal lives.

Alternative to consider

Chase Bliss CXM 1978 for naturalistic reverb; NightSky for the experimental side of the same coin.